CONTENTS
Title Page and Abstract
Chapter One
INTRODUCTION
Chapter Two
CONTEXTUAL AND CRITICAL PERSPECTIVES ON SCREEN BASED DANCE AND THE MOVING IMAGE
2.0 Introduction
2.1 Choreographic practice within a screen based context
2.2 Critical perspectives: the classical film theorists
2.3 Critical perspectives: Maya Deren and Stan Brakhage
2.4 Contemporary practice and theory
2.5 Conclusion
Chapter Three
MOVING IMAGE PRACTICE: AN ANALYSIS
3.0 Introduction
3.1 Animation, music video and video art
3.2 Feature film
3.3 Key practitioners: Sally Potter and Lynne Ramsay
3.4 Conclusion
Chapter Four
SCREEN BASED DANCE PRACTICE: AN ANALYSIS
4.0 Introduction
4.1 Screen based dance work
4.2 Conclusion
Chapter Five
SCREEN BASED DANCE PRACTICE: THE MEMORY POOL PROJECT
5.0 Introduction
5.1 Production-related procedures
5.2 Editing
5.3 Evaluation
5.4 Memory Pool and contemporary discourse in screen based dance
5.5 Conclusion
Chapter Six
CONCLUSION
List of Sources:
Appendices:
Appendix A – Screenings of work
Appendix B – Festivals, conferences and symposia
Appendix C – Quotations - Memory Pool
Appendix D – Biographical details - filmmakers
Appendix E – Biographical details - screen based dance makers
Appendix F – Biographical details - performers
Appendix G – Quotations - Memory Trace