Close Reading2

'The fact that the video dance body is technologically enhanced raises questions about where 'biology' and 'technology' begin and end. These shifting and unstable boundaries highlight an element of subversion and 'fluidity' in the theoretical and material construct of the video dance body.'
Sherril Dodds



To view the piece click here.

Shooting Footnotes:
The performer in this section is Maddy Tongue, who is a fellow Cambridge-based dance artist, and who I first worked with on Shapeshifting in 2002. I knew that I wanted to work with Maddy again, and that her involvement would be central feature of the Memory Pool project, although I am still working out how her input will fit into the overall structure of the piece.