The Grammar of Presence
'Photography...is theorized as the representation of isolated present moments (which must be experienced by the spectator as already past), whereas filmic representation produces the spectatorial experience of presence.'
Mary Ann Doane
to view the piece click here.
Shooting Foototes:
Further filming at the Lakeview Studio Theatre on Feb. 20th. Much harder work for me combining the roles of director and performer, but several new ideas have emerged from the session. This piece will use a mixture of footage dealing with extreme close-ups and the off-centred material featured above. The title of the piece is taken from an interview with Michael Kustow (Jordan and Allen, Parallel Lines, 1993, ACGB, p. 95) in which he describes a process of learning about what works in relation to screenbased work for dance.
Mary Ann Doane
to view the piece click here.
Shooting Foototes:
Further filming at the Lakeview Studio Theatre on Feb. 20th. Much harder work for me combining the roles of director and performer, but several new ideas have emerged from the session. This piece will use a mixture of footage dealing with extreme close-ups and the off-centred material featured above. The title of the piece is taken from an interview with Michael Kustow (Jordan and Allen, Parallel Lines, 1993, ACGB, p. 95) in which he describes a process of learning about what works in relation to screenbased work for dance.
posted by Chirstinn Whyte at 5:21 PM
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