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Binary Form: Film of the Month, MiShorts, November 09 Reviewer: Jay Richardson A strikingly original dance film in which discernible human movement gradually emerges from a scrolling, ostensibly systematic input of 0s and /s as Binary Form captures the organic in the mechanical, the sweeping physical expressions of a dancer the ghost in its monochrome-printing machine. Like a Magic Eye puzzle, the hypnotic sequence of improvised gestures, translated into binary digits and then animated frame by frame, takes time to mentally configure and demands repeat viewings. Although indivisible at the point of reception, there are nevertheless three distinct technological eras evoked and in synthesis: the timeless movement of the dancer, the mechanical whirr and keyboard clatter of early computer programming and the contemporary animation software that renders the film possible. Created by Shiftwork, a collaborative partnership between dancer Chirstinn Whyte and digital artist Jake Messenger, this film recalls the pair’s capering human figure of letters and symbols in their earlier Textfield, available in the MiShorts library alongside Splice and Flicker. In isolation and as a body of work, these brief, elliptical films suggest a refusal to acknowledge conventional boundaries of form and a wide spectrum of potential development for Shiftwork’s future productions.
to view Binary Form click here Created in January 2009 using footage filmed in Cambridge in November 2004. The piece makes use of short sequences of improvised movement translated into binary form, with each frame animated by means of sequence replicators using the program Motion. Screenings: 2010: 2009:
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